A 25 min. standing ovation for a Muslim-Brotherhood-HAMAS infomercial produced by the far-leftwing propaganda rag GUARDIAN. It has the legitimacy of the Steele Dossier written for Hillary by the FSB.
Andrew Benjamin | Sep 20, 2026
Illustration by the author and Alphabet
THE VENICE FILM FESTIVAL – we watched as the film makers stood there in feigned sincerity and self-congratulatory modesty…
IN CELEBRATION OF A DEATH CULT!
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The anti-Israel antisemitic leftwing GUARDIAN produced the (allegedly QATAR-Muslim Brotherhood-inspired) foreign-financed crockumentary NAZA. It debuted at the VENICE Film Festival. For anyone unfamiliar with pattern recognition used in the sciences of prediction, the purpose of the film will make sense as it came at the same time as the AI Panic.
A preposterous fairy tale about Israeli AI being used in GAZA to mass-murder Palestinian children willy-nilly without parental supervision (human input), NAZA arrived timely. Never mind that today Gaza’s population is about the same it was before “the genocide” – even counting the 200,000 or so allowed to migrate; of which about 35,000 were taken abroad for medical care. In our Brave New World genocide means 98% of the population (of which about half are known armed terrorists), survived. It also means (with respect to the expectation of deaths in normal urban combat) that GAZA needs to be seen differently from all other conflicts where people die. The expectation in GAZA was that no one should have died in a war it had started in which “civilians” fully participated. Meaning Gazans should not have suffered the consequences of its own actions and what it had brought upon itself. This notion, entirely new in human history, is reasonable an expectation, inasmuch as NAZA was “reasonable,” “credible,” and a “documentary.”
Don’t come down on me for these inconvenient facts, please. The Israelis are not free of bloody hands you see – or at least won’t be after they employ AI in the near future. It’s just that Gaza’s children were not the ones who made their hands bloody. As it were, Israeli AI will locate, identify, isolate, target and kill whomever the Israelis want to kill. Mostly those who deserve to be killed, and small children are not among them.
As they have before seen HERE. (For the AI essay please see whom Israel will kill next.)
Bill Maher clarified GENOCIDE to the genocidal better than I ever could. Refer to minutes 4:35 and 7:40: 3% of Gaza are dead and displaced – most were terrorists dedicated to genocide the Jews on the border. 3 million Jews were alive in Poland in 1942. By 1945 45,000 survived. That’s genocide.
The Michael Moore-style crockumentary Guardian produced under presumably HAMAS auspices using HAMAS’ “facts” received a 25 minute standing ovation from an auditorium filled with invitation-only pro-Hamas and astonishingly-ignorant and filled-with-Jew hate leftwing activists from Ireland, Spain, Turkey, Egypt, Gaza and Iran waving Palestinian flags while wearing keffiyehs. Their objection to the existence of Israeli success against those who waged war on it was the fake invention called “disproportionality,” meaning that more evil Jewish teens dancing at a rock festival survived than saintly terrorists died.
THEY STOOD AND CLAPPED FOR 25 MINUTES TO CELEBRATE A DEATH CULT!
This war was never about body count. No war is. It’s about stopping a death cult, HAMAS/ISIS/ISLAMIC JIHAD/MUSLIM BROTHERHOOD, dead in their tracks.
The life cult, aka Judaism and Israel – constitute the products of the life-affirming technologies which make living wonderful for billions around the world. And these nitwits stood there clapping for 25 minutes to celebrate butchery, rape, barbarism, and their preferred death cult. No other conflict in which people have died – innocents on October 7th – has ever concerned them. They never got up to applaud their Death Cult’s victims, did they?
With the minor “shortcomings” I list here (the pun is intended), the film lacked corroboration, interviews with real people (meaning non-actors), objectivity, so-called “whistleblowers” (who in this case were just shadows pretending to be anonymous), documentation – and any actionable documentary or physical evidence other than scripts to be narrated by actors playing IDF soldiers. The film lacked counter-witness testimony and rebuttals, or context from legitimate officials who represent any authority not being paid by the producers to portray a one sided invention meant for impressionable minds. Think about it: if the story were true, whistleblowers would have presented documentary evidence in physical or recorded form. But no, there was no such thing and there were no “whistleblowers” to begin with. What you heard: heresay scripted for the film. Otherwise a play we’ve seen hundreds of times before and will see again.
The “evidence” fabricated for NAZA would be accepted by every court and panel of judges in Tehran, Kabul, Islamabad, Gaza, Jenin, Sa’ana, and Berkeley.
The film excluded primary context – the genesis. In other words, the foundation.
By having excluded it, they failed to delegitimate not just the response to it.
NAZA had deligitimated itself.
It did not focus of October 7th, unprovoked and planned for months, HAMAS’ promise it will do it again and again, the victims, the corpses, the kidnapped, the funerals and hundreds of sobbing families, the mocked and emaciated prisoners who resembled concentration camp victims, the mocking and humiliation, the dozens of burned out villages, and the aftermath…and this photo from SKY NEWS for example:
That most of the terrorists, their associates, kin and enablers who were eliminated – over 40,000 – were not “innocent” women and children or “victims.” In a cartoon-like portrayal and inversion of reality they were just “civilians” hiding in deep tunnels and bunkers under hospitals, schools and homes with Kalashnikovs, Molotov cocktails, grenades, tank mines, Katushya rockets, home-made explosives – IEDs, and RPGs.
Otherwise known as “civilians.” Their defenders will tell us with a straight face and feigned sincerity as they keep mutating reality, that these dead “civilians” never used their weapons after they were rendered dead, which made them innocent and civilians and harmless.
Promoted by the international leftwing, communists, and their UNHOLY ALLIANCE, NAZA is a slick PALLYWOOD-style propaganda infomercial attractive only to the historically-unknowing ideologue. It was produced by HAMAS associates, operatives, and activists. We now know all it was foreign sourced and foreign funded.
THE ONLY QUESTION NOT ASKED AT THE FESTIVAL: IS THE STORY TRUE?
The film-makers who handed the scripts to the “actors” hidden in the shadows called GAZA the “systemic killings of civilians.” It is a play we’ve seen before. During the last U.S. election cycle the Democrats kept parroting mantras of “systemic racism.” Just before the elections Democrats systematically recited these very same mantras as if they were a daily prayer. Every media outlet you turned to recited the prayer. That most blacks never experienced and do not agree with the narrative is a sidebar. In other words, a crock. After the Democrats were royally trounced on November 2024 by Orange Man, the “systemic racism” mantras vanished from the Democrat’s in-pocket media that never believed a single word of it.
Just like Climatealarmism “the Earth will ignite in 12 years” or by next Thursday the latest mantras before it, just like the Russia, Russia Russia Hoax after it, these have been replaced by AI IS THE END OF THE WORLD panic.
The AI panic and the NAZA stories came out at the very same time from the same gaggle of fraudsters for the very same reasons.
Propaganda meant to scuttle the midterm elections in the United States in favor of the scaremongers and crockumentary film makers, meant to sabotage the right-leaning party-wins in Europe, and the upcoming Israeli elections in which Bibi Netanyahu will likely be the winner – once again making Israel greater, more prosperous, safer and victorious.
Unfortunately for them, the propagandists have already lost Germany and Slovenia and the Fascists are Furious! The rest will follow the trend. It will recognize the pattern.
PEACE, if you will.
SIDEBAR FROM THE FORWARD – A LEFTIST MEDIA OUTLET:
“A terrible mutation afflicts American politics. What began as fury over Israel’s conduct of the Gaza war has evolved, in significant parts of the progressive left, into a pathological hostility toward Israel that has become a driver of political identity and debate. The genocide accusation is increasingly treated not as a contested claim but as settled truth; opposition to Zionism as evidence of virtue; and even Hamas and “armed resistance” can be romanticized or excused.
This week’s victory by Abdul El-Sayed in Michigan’s Democratic primary for the Senate, alongside the popularity of voices such as Hasan Piker, suggests this is no longer simply the rhetoric of campus radicals. Israel is being cast as such a singular evil that opposing it can seem almost a prerequisite for occupying the moral high ground.
Which is why what happened to Douglas Murray’s recent book is so interesting. On Democracies and Death Cults confronts precisely this mutation: the extraordinary difficulty much of the Western left now seems to have in distinguishing between a deeply flawed democracy and a murderous Islamist movement committed to its destruction. Yet despite Murray’s prominence and the book’s commercial success, much of the mainstream review culture simply ignored it. In the political climate of August 2026, that silence looks less like an oversight than part of the story…”
© Andrew G. Benjamin is in finance, real estate and equities, a former advisor to New York City mayor‘s office (Subcommittee on Taxation, Finance and the Budget). Benjamin wrote extensively about politics, transnational and domestic, intelligence and military affairs, security and strategy, economic issues, Mideast, terrorism, technology and high end audio. Copyrighted material cannot be disseminated commercially without permission from its author or publisher; and are used herein for information and educational purposes only under Sec. 107 of the Fair Use Notice.
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